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Eclipse + Butter Knife

by Prima Queen

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  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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      £2 GBP  or more

     

  • 7" Vinyl
    Record/Vinyl + Digital Album

    7" vinyl featuring 'Eclipse' and 'Butter Knife'

    Includes unlimited streaming of Eclipse + Butter Knife via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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  • Limited SIGNED 7" Vinyl
    Record/Vinyl + Digital Album

    Next month we will be releasing a vinyl of ‘eclipse’ and our super secret second single !! it’s available for pre-order now via bandcamp and we’ve signed the first batch

    Includes unlimited streaming of Eclipse + Butter Knife via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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1.
Eclipse 04:07
We drove all night So we could watch the eclipse Your hand on my upper thigh I read you directions off an old napkin You said the sky looked like magic And we kissed in the half-light We found the perfect view off trail It was the first time I had sex outside But you don’t know that I’m fucked up and I’m not over my last love I think I told you about him once But maybe I played it off too much It’s always the same excuse and I’ll never say I love you But I’ll pretend that it’s alright We can just have a good time And you brought me home to your parents house And we had to sneak around like kids Making love downstairs on that little couch I helped your mom set the table And she laughed at things I said And your dad asked me if I would be Coming back again But you don’t know that I’m fucked up and I’m not over my last love I think I told you about him once But maybe I played it off too much It’s always the same excuse and I’ll never say I love you But I'll pretend that it’s alright We can just have a good time You don’t know (x7) You don’t know that I’m fucked up But you don’t know that I’m fucked up and I’m not over my last love I think I told you about him once But maybe I played it off too much It’s always the same excuse and I’ll never say I love you But I'll pretend that it’s alright We can just have a good time You don’t know You don’t know You don’t know that I’m fucked up
2.
Butter Knife 04:09
She doesn’t remember they said, A head and a body but she’s not there. She doesn’t remember they said, A head and a body but you’re not there. I was sat building sandcastles on the beach, when you appeared and told us you were swimming to Albania. A stallion in a black swimsuit, Long, russet mane fanned out behind. We watched as you submerged yourself in the water, no questions asked. 3 hours later you were a dot on the horizon, I’ve never seen any one swim so fast. She doesn’t remember they said, A head and a body but you’re not there. 10 years later the same family holiday, same beach, same house, same thing. 7 of us on a rickety old boat, moored in the middle of the Ionian Sea. I watch you out of the corner of my sunglasses, you’re unaware. Your daughter’s in the water holding out her hand, but you’re sullen, you’re scared. She doesn’t remember they said, A head and a body but she’s not there. She doesn’t remember they said, A head and a body but you’re not there. It was your funeral today and no one could go because of coronavirus. It’s hard to get my head round the idea that you’re gone, we’ve been watching you fade so softly, so slowly, for so long. I was scared of your harshness, your sharpness, your edges, and your strength from before, But as you began to forget yourself, I grew to love you more. She doesn’t remember they said, A head and a body but she’s not there. She doesn’t remember they said, A head and a body but you’re not there. Serrated edges soften, blunt as a butter knife. No one’s ever ready to watch someone they love lose their mind. Serrated edges soften, blunt as a butter knife. No one’sever ready to watch someone they love lose their mind. She doesn’t remember they said, A head and a body but you’re not there.

about

Prima Queen’s love story is one which cinema could only aspire to. An instant connection that was nearly missed. A divide of 4,000 miles and an Atlantic Ocean. An almost-marriage. A tour supporting The Big Moon, Dream Wife and Wet Leg, and six-figure streams. The magic of their ethereal, guitar-driven sound is built not on romantic love, but something immeasurably stronger: female friendship.

Louise Macphail and Kristin McFadden almost didn’t meet at all. Kristin travelled from her native Chicago to join the same course as Louise last minute in London, and as soon as she saw her perform in front of the class, Louise as good as musically proposed to her right there and then: “Will you be in my band?”

Armed with bassist Kitty Drummond, drummer Heledd Owen and an arsenal of demos, the band began to cut their teeth on the live circuit of South London, putting their songs to the test in the likes of Brixton tastemaker, The Windmill. The arrival of their 2019 debut single “Milk Teeth” was a statement of intent, with its mellow grooves and intimate, diaristic lyrics which unfurled their feelings in media res, steeped equally in storytelling and vibrant imagery.

After sparking a friendship with Juliette “Jules” Jackson and Fern Ford of Mercury Prize shortlisters, The Big Moon on tour, the pair volunteered to assist Prima Queen on the production of singles “Chew My Cheeks” and “Invisible Hand”, encouraging them to elevate their sound to new emotional and musical heights through experimentation.

It stands to reason that Prima Queen’s upcoming singles are their most adventurous and sensitive portrayals so far. “Eclipse” is an anthem of incredible tension and release about the way your first heartbreak is the hardest to recover from, and “Butter Knife” is a masterclass in spoken-word catharsis, exploring the deterioration of a loved one due to Alzheimer’s.

For Prima Queen, it’s these moments of shared intimacy in their music, entrusting closely guarded feelings, that creates a togetherness they love to feel with their audience: “Our songs mean so much to us, and it’s the best feeling in the whole world to see someone really belting out our lyrics at a show.” Resonance, above all else, is what Kristin and Louise are striving for.

credits

released November 9, 2022

Written by Louise Macphail and Kristin McFadden
Produced by Fern Ford and Juliette Jackson (The Big Moon)
Engineered Cecil Bartlett
Mastered by Doug Shearer
Artwork by Barbora Mrazkova

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Prima Queen London, UK

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